Every Valley
(order)
(December 6, 2024)
An interesting examination of the libretto of Messiah and how it relates to Georgian England, with an emphasis on slavery. Messiah started as Charles Jennens’s commonplace book, with headings on hope, suffering, and redemption. Jennens was a Handel superfan and had money, and he worked out a deal with his favorite composer, whom he call “The Prodigious”. I wish the book said more about the music, but you can’t have everything.
Question: King makes a point that the first contralto aria in the Dublin premiere was “He Was Despised”, and that Mrs. Cibber’s exquisite acting (and, I presume, phrasing) more the compensated for the shortcomings of her voice. But don’t you need an alto in Part I for “For who may abide the day of his coming?” and “O thou that tallest good tidings to Zion?”