Prints and Printmaking
I had never learned the difference between an etching and an engraving, and this delightful and intelligent discussion of the history and art-history of reproduced images was refreshing and instructive. Griffiths has no time for collecting and he cheerfully tweaks collectors as autograph hounds and as victims of a fad that ended in 1929. Instead, he's simply interested in the image itself, how it is made and how it works aesthetically.